Have you even wondered what deans do on Easter Weekend? Wonder no more.
Yesterday, Tom Nevill (of ADM fame) joined me at Christ Lutheran Church to make music for Easter worship services. You may not know this, but Tom is an ace timpanist — his DMA is in percussion. So, Tom joined me on Christ Lutheran’s new custom German Baroque organ, built Ken Mowell (who put up with my obsessive attention to details like which Krumhorn we should include on the Positiv, the absolute need for both north and south German baroque principals in 8′ and 4′, and how the speakers for the reeds should be installed in the chamber. That’s all organist-speak, incidentally.)
We hit the ground — joined by JayNee Nutting at the piano — with a nifty (and majestic) setting of Thine is the Glory, which you may know from a hymnal. Or if you’re a Handel freak, you’d recognize it from his oratorio, Judas Maccabeus.
From there, we did what any musicians would do for Easter, the Hallelujah Chorus from Handel’s Messiah. (Yes, it was a big day, but we knew we could handle it. That’s handle it—get it?)
As the postlude, Tom and I turned away from Handel and did the Fanfares from Mouret’s suite in D major. You might know that Mouret tune from Masterpiece Theater — it was the theme music.
Except that I played the string and trumpet parts on the organ, and Tom played the timpani part on the timpani. We decided that would be easier than playing the trumpet part on the timpani, mainly because the organ doesn’t sound like drums.
So, now you know. That’s the sort of thing deans get up to when you turn them loose on Easter.
Thanks, Tom — that was a blast!
